Skip to content
Home » Paul Maier on The Real Jesus: New evidence From History And Archeology (Transcript)

Paul Maier on The Real Jesus: New evidence From History And Archeology (Transcript)

Full text of Paul Maier’s talk titled “The Real Jesus: New evidence From History And Archeology” at Iowa State University. In this talk, historian and author Paul Maier (Western Michigan University) presents historical evidence for Jesus.

Listen to the MP3 Audio here:

TRANSCRIPT:

Paul Maier – Historian and author

I am trying to figure out why everybody came here this evening. I’m sure it was for the iPad or your professors made it a matter of faith and morals and passing the course to be here. I’m sure that’s it. In any case, Jesus will bring out anybody, I suppose, and everybody, and that’s the one I guess we should attribute this splendiferous attendance to, believe me.

It’s a fun topic because Jesus — the character of Jesus, has been manipulated, changed, caricatured, denied more than that of any other figure in history. You love Him or you hate Him, evidently. And so there are so many caricatures out there that I’d like to begin by the unreal Jesus, people playing what I like to call the Jesus game.

Here’s how you play it. You read the New Testament quickly and not very carefully. Then you put it away for a year or two, and then you let the facts mellow in your brain, and then you be very creative about it, and you draw another picture of Jesus, mostly not drawn from the Bible, and if the resulting image of Jesus is anything like you see in the New Testament, you lose the Jesus game.

But if you get something really off the wall, something over-the-top, something that could not simply — not possibly have been Jesus, then you win. It’s sensational. Everybody will talk about it. They’ll be the path to the bookstore and get your latest to put down on Jesus, and really it’s kind of unfair the way this historical figure has been treated most recently in the last century and a half, I guess. There’s been most of the critical attacks on Jesus. The debate, by the way, is changing.

The debate used to be between those who thought Jesus was indeed what He claimed to be the Son of God, and those who thought He was only a man. Now the debate has shifted to, well, we know He couldn’t be Son of God, but was He even a man? And you get the other school coming along and says, no, He wasn’t even a historical figure. So it kind of shows the directions in which this thing is lurching in terms of the historical Jesus.

And so I think it’s high time that maybe we ought to step back a little bit from the battle over the figure of Jesus, and check out and see what some of these other caricatures may be.

THE PASSOVER PLOT

Now it was really, the first part of the 20th century, too much serious stuff was going along. World War I, the Great Depression, dust storm, World War II, pretty serious stuff, and so they weren’t engaging in the luxury of putting down the figure of Jesus.

But after World War II, when things settled down, then we find one book after another coming out with another portrait of Jesus. First of all, we have Jesus, the Passover Plotter. Now you guys, the younger people, won’t remember that, but your parents will tell you about it.

Hugh Schonfield, a British author, came across with this book, The Passover Plot, in which he has Jesus now plotting to finish off all the prophecies that Matthew and the other Gospels made about Him, and that he then designed his own fulfillment of those passages, and he was supposed to evidently be given some kind of a narcotic on the cross, and it didn’t do the job, and so He survived. That’s how the resurrection happened.

Okay, that’s one view, and the guy had the audacity to publish this as fact and not fiction. But anyway, we go on to Jesus, the radical revolutionary. Now you recall the Vietnam era, you older people, and you recall how everybody was getting the campus rioting, except at Iowa State, of course, but you think of Berkeley, California, and so forth, you know, and the students getting together, deciding, shall we burn down the Dean’s house tonight or tomorrow night, and so forth. A very radicalized era.

Well, we have then the new authors coming along and drawing a caricature of Christ as the radical revolutionary. What do they base that on? By cutting little snips of Scripture apart, and Jesus had 12 disciples, one of them was named Simon the Zealot. Okay, there you have it, the zealotry was one of the radical political parties at the time, so Jesus was a radical revolutionary from the start, and He therefore would approve of burning American flags, evidently, and so forth.

That didn’t work too well. S.G.F. Brandon was a British author who had that idea, and before his death he said, I think maybe I overdid it. No kidding, no kidding.

Then, let’s see, oh yeah, John Allegro comes along. He was one of the Dead Sea Scroll scholars, and a decent scholar before he wandered into La La Land, wrote a book giving us the image of Jesus the Mushroom Cultist. Yeah, hear me out, you won’t believe this. He wrote a book called The Sacred Mushroom and the Cross, and in this 700 page book published by Doubleday, and otherwise responsible publisher until it came to the Da Vinci Code, of course, we have him seriously arguing that the Gospels were written by a group of mushroom-eating freaks who got high on the hallucinogenic properties of the red-topped, white-stalked mushroom, the kind you see in fairy tale books, and then he wrote the Gospels as kind of a code for their particular group, and they try to prove it by wonderful methods. For example, the raising of Lazarus now proves this image of Jesus.

How is this possible? Well, raising of Lazarus, one of Jesus’ big miracles.