Here is the full transcript of Sociologist Ruha Benjamin’s Speech at Spelman Convocation 2024.
Listen to the audio version here:
TRANSCRIPT:
Gratitude
President Gayle, Board of Trustees, beloved faculty, staff, students, alumni, fellow honorees, and everyone working behind the scenes to gather us in this space, my heartfelt thanks for this special recognition. To my village, my family, my friends, my sisters from other misters, my Baha’i family and aunties, my beloved professor, Dr. Barbara Carter, Sister Omelika, so many more I won’t belabor.
So what a lovely video introduction. Like most beautifully produced and polished bios and resumes, it necessarily leaves out the messy parts of life, including the fact that when I was a student at Spelman, I was somewhat of a troublemaker.
Truth is, I have never quite identified with the idealized image of a Spelman woman. And still today, I’m not what you might call a school spirit girly, which I know is a weird thing to admit given the occasion. For starters, I really struggled to pull together a white outfit, because after all these years it’s still not my color. But perhaps more revealing is that the first time I stood at this podium giving the valedictory speech to my class in 2001, I had just given birth a week before.
Embracing Differences at Spelman
So, not quite the idealized Spelman woman, but that’s also what I loved and I love deeply about this place. That precisely by bringing us all together under the umbrella of black womanhood, we get to experience our many shades of blue as a blues people. Unlike predominantly white institutions where black students may feel a need to put up a united front to survive the everyday stresses and strains of navigating a hostile environment, here in this place, we have more space to explore the full range of our humanity, if we choose. When we do, we get to appreciate our breathtaking differences and our quirky individuality.
Like the way that growing up in South Carolina versus Seattle, Louisiana versus Lagos, shaped our experiences and worldviews. And in that, we have so much to share and learn from one another. When we bear witness to our many shades of blue, we necessarily begin to reckon with the way that classism, colorism, ableism, lookism, homophobia, fatphobia, and more create fault lines and hierarchies that complicate the ideal of sisterhood. And that’s when our real education begins.
Studying Sisterhood
After all, we don’t come to Spelman just to receive a world-class education. And I should say, this was the only school I applied to. A world-class education in history, sociology, computer science, women’s studies.
We’re also here to study sisterhood. And to feel good platitudes. We get to truly investigate this thing that is supposed to bind us. What is sisterhood? A feeling, a sense of duty, a shared history. But how do we practice it? Who is welcomed in and who is left out? What makes us a good sister?
What do we do when we aren’t good? When we hurt each other? How do we forgive and do better? What does it mean, in short, to study sisterhood?
One of my favorite lines from Beloved is, “she is a friend of my mind. She gather me, man, the pieces I am. She gather me and give them back to me in all the right order,” wrote Morrison. When we look closely at the lives of many of our luminaries, Tony Cade, Audre Lorde, June Jordan, Alice Walker, Bell Hooks, Toni Morrison, and more, we learn that their work was made possible by the bonds of sisterhood.
The Importance of Sisterhood
When we choose to study sisterhood, by which I mean take it seriously, tend to it, learn from it, invest in it, sisterhood holds the promise of gathering us up again and again and again, which is why I’m convinced that sisterhood is not the icing on the cake of our Spelman experience. It’s the flour, the water, the leaven. It won’t be on our transcripts, but etched into our spirits.
And so perhaps this is a good time for me to admit that for many years, I wasn’t a good sister. As a young mother in grad school especially, I was so focused on jumping through professional hurdles and hoops and surviving the grueling expectations of academia that sisterhood took a back seat. I wish someone would have reminded me at that time that friendships should never take a back seat. They are the fuel.
They are the compass. They are the road of any work worth its salt. This is on my mind right now because I’m reading a book on how a network of black women changed American culture by Courtney Thorsson, which describes how in the late 70s, a group of black women writers, editors, teachers, students, and journalists met regularly over the course of two years in New York City to support, to protect, and advocate for each other.
Each of the women, some better known than others, is spectacular in their own right. But as Thorsson writes, it was the hard, everyday, largely unseen labor that made that spectacular period possible as they worked to get black women’s writings published, read, reviewed, studied, and taught. Just a few years after this group started gathering, their work flooded the literary landscape. June Jordan’s Passion in 1980, Toni Cade Bambara‘s Salt Eaters, also in 80, Walker’s The Color Purple in 82, Shange’s Sassafrass in 82, Lorde’s Zami in 1982, Morrison’s Tar Baby in 84, among many other works that grew out of the sisterhood.
Sisterhood Gathering the Pieces
The point is not simply that the sisterhood made them productive and successful, but that the sisterhood gathered the pieces they were and gave them back in all the right order. As Walker would say in an interview with the late Rudolph Bird, “we thought we must create a space for black women writers to honor each other, to know each other, so that nothing from outside could make us fight over anything or even feel competitive.” This was the sisterhood’s purpose, she said.