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Home » This Past Weekend: #642 with James Li (Transcript)

This Past Weekend: #642 with James Li (Transcript)

Editor’s Notes: In this episode of This Past Weekend, Theo Von sits down with independent journalist and content creator James Li to discuss his journey from the corporate world to investigative journalism. Li, known for his show 5149, shares fascinating stories about his transition from a supply chain role in big pharma to a mission of exposing the powerful and providing alternative media perspectives. Together, they explore the complexities of social media censorship, political maneuvers, and why Li believes it’s crucial to remain curious in an increasingly dystopian landscape. This engaging conversation offers a deep dive into the motivations behind Li’s work and the challenges of being a rogue voice in today’s media. (Feb 26, 2026)

TRANSCRIPT:

THEO VON: Reminder guys that you can get video versions of our episodes now on Spotify as well. Today’s guest is an independent journalist. He’s a content creator. He has his own show, 5149, that’s on YouTube. We got into a lot. I’m grateful to sit down today with Mr. James Li. Good, good as I’m going to look today. Dude.

Hats, Beekeepers, and The Beekeeper Movie

JAMES LI: Yeah. I thought about wearing the bucket hat, but I’m like, I gotta switch up the hats. You know what I’m saying? I always. Usually I’m wearing the bucket hat. Do you know what I’m talking about?

THEO VON: Oh, yeah, dude. I almost wore this beekeeper’s hat that I got. Yeah, yeah. Whitney Cummings, one night at the Comedy Store, I think she was going through something and she gave me a full beekeepers outfit.

JAMES LI: Really?

THEO VON: Yeah. For no reason. It was like, she’s like, “I got something for you.” And then she went and got a beekeeper’s full. Yeah, like beekeeper’s outfit out of her trunk or whatever.

JAMES LI: The last beekeeper scene that I saw was like from that movie Begonia. Did you see that movie?

THEO VON: I haven’t seen it yet. Is it good?

JAMES LI: It’s dark. Really, like really dark. Like I’m like this. I was not ready for this.

THEO VON: I was not like, you mean perversion or sensuality or like. What are you talking about, dark? It’s just like.

JAMES LI: I mean, the plot line, just like humanity. Just like the. What are they called or whatever. Well, they’re trying to do like cultural commentary.

THEO VON: Okay.

JAMES LI: And so I’m like, wow, this is not a. It’s like. Because I deal in it all day long. So I’m like, I don’t need a movie. I like my movies to be like chill, right? Like rom coms and comedy.

THEO VON: Madagascar.

JAMES LI: Yeah, yeah, those kinds of things. Yeah, yeah.

THEO VON: Sierra Leone or whatever. Some of that.

JAMES LI: I don’t know what that is.

THEO VON: Well, I was just thinking of other African countries. It’s crazy because there’s like Madagascar and then there’s Hotel Rwanda. So that’s the only thing like Africa, it gives you, like, some polar opposites if you pick the wrong African area.

JAMES LI: Yeah.

The Euro Trip and Deal With It

JAMES LI: You know, I’ve never been to Africa. Oh, there. Actually, can I tell you this story before we get going?

THEO VON: Yeah, for sure.

JAMES LI: Just a real quick story. Okay, so no worries.

THEO VON: James Li, good to see you today.

JAMES LI: Yes.

THEO VON: Okay, good. James Li, tell me your story, then I’m going to ask you a question.

JAMES LI: Okay. Okay, so just quick story. Before we start, I just have to tell you the story. Okay, so this is like a few years ago, me and my buddies were in Europe. We’re on this Euro trip. And this is like two of my best friends. And this is like the type of people you meet at your first job. Like, it’s a really, really sh*y job where you’re like. We’re literally like call center with the headset. Everybody’s yelling at us all day. So we’re like, “Hey, one day when we get out of here, we’re going to go to Europe.”

THEO VON: Yeah.

JAMES LI: We’re going to do this Euro trip type of thing, like the movie. And we did do that. So finally, a few, years and years later, we had a chance to do that, and we were just going out and partying every single night.

THEO VON: In what country?

JAMES LI: This is in like, Spain and Portugal. But after like seven to ten days of this, we’re like, “Dude, I think my liver’s shutting down. Like, we have to stay in for a night. Like, we’re going to die here.” So then we stayed in that night. So we were just scrolling around whatever it was like Netflix or some streaming thing that I don’t remember. And that night we ended up binge watching this show called Deal With It. Do you remember that show?

THEO VON: Oh, yeah. I was a host on it.

JAMES LI: Yeah, I know. That’s. That’s how I had to tell you the story. Oh, that’s. We literally watched like 10 episodes of Deal With It.

THEO VON: How stoned were you guys? I mean, I scared person in that picture, which is crazy.

JAMES LI: And so then we made a pact right there. We’re like, “Hey, if anybody starts doing weird, like, you just gotta go with it for a little while, like, just to see what happens, you know, don’t shut it down right away.” But that was so. It’s a full circle moment from, like, many years ago. I was like, watching this show that was my first introduction to Theo Von.

THEO VON: Yeah.

JAMES LI: Was this show. I don’t know how proud of you are on the work on the show. But it was very. It saved my life.

THEO VON: Oh, really? Kept you off the.

JAMES LI: Yeah.

THEO VON: Off the streets of. Yeah. That’s beautiful. Some beautiful streets they have there too, though.

JAMES LI: They do.

Deal With It — Behind the Scenes

THEO VON: This one’s so nice.