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Joe Rogan Podcast #2464: w/ Priyanka Chopra Jonas (Transcript)

Editor’s Notes: In this episode of the Joe Rogan Experience, Joe sits down with actress Priyanka Chopra Jonas to discuss her latest project, an action-packed pirate movie characterized by its surprising “ultra-violence” and practical sets. Their wide-ranging conversation spans from the physical demands of stunt training to deep dives into ancient archaeological mysteries like the Kailasa Temple. They also explore the future of cinema and art in the age of AI, questioning whether the technology can ever truly replicate the soul and fragility of human performance. This episode offers a fascinating blend of historical intrigue, Hollywood insights, and philosophical reflections on the evolving role of human contribution. (Mar 5, 2026)

TRANSCRIPT:

Opening: Nerves and First Impressions

PRIYANKA CHOPRA JONAS: I won’t lie. I am nervous to talk to you.

JOE ROGAN: Come on, how can you be nervous? That’s ridiculous.

PRIYANKA CHOPRA JONAS: I came in slightly intimidated.

JOE ROGAN: Why?

PRIYANKA CHOPRA JONAS: I actually don’t know the answer to that because we’ve never met. So it’s not like you’ve intimidated me. But I just — I’m really — I think I — what I really enjoy about your show is just such an eclectic perspective on so many diverse things, and it comes so naturally to you. I really admire that.

JOE ROGAN: Well, fortunately, I don’t have anybody pick my guests, so it’s all people that I’m actually interested in talking to. So it’s easy. It’s just stuff that’s nice.

PRIYANKA CHOPRA JONAS: So thank you for picking me.

JOE ROGAN: Oh, my pleasure. I’m excited to talk to you. Your movie is f*ing crazy. I knew it was a pirate movie, but I just did not expect the ultra violence. From the beginning, I was like, “Yo.” I locked in immediately. First scene, I was like, “Holy —” Like, this is crazy.

PRIYANKA CHOPRA JONAS: Well, thank you. That’s a good thing, right?

The Movie: Ultra Violence and Female Pirates

JOE ROGAN: When you’re doing something that’s that hyper violent, does that freak you out at all? Like, you’re cutting people open with swords and stabbing them in the neck, and it’s like, holy sh.

PRIYANKA CHOPRA JONAS: When you’re doing it, it’s like make believe. So it’s so much fun to be like, “Yeah, playing pirates and I’m going to behead you.” But in moments of scenes and stuff where I actually had to think about what it must have been like to be a female at that time — because they existed. Women. Female pirates existed. And we just didn’t hear much about stories about them.

I mean, I heard about Grace O’Malley, maybe Mary Read, a few famous ones. Ching Shih, after I did my research. But in those moments, you’re like, “This stuff must have — like, this was real.” They lived at a time where it was survival of the fittest. It was barbaric. And I wonder what that must have been like.

But besides that, the stunts and stuff — I really have so much admiration for the amount of precision it requires to pull that stuff off from so many people. Not just the stunt department, but the cameras, because they’re also moving in sync with you.

JOE ROGAN: Yeah.

PRIYANKA CHOPRA JONAS: And that’s cool.

Choreography and Fight Sequences

JOE ROGAN: It is cool. Is it hard to stay in the moment when all that is happening? Because you have so much coordination, so much choreography. Like, “He’s going to swing this way and you’re going to block it and you’re going to dive down.” It’s so complex. These are long, extended fight scenes.

PRIYANKA CHOPRA JONAS: We had a lot of oners too. The whole scene in one shot.

JOE ROGAN: Whoa.

PRIYANKA CHOPRA JONAS: Which Frankie, our director, really loved the idea of. And I honestly love it because it brings you into that moment — that moment is so enriched with everything that you’re supposed to feel between action and cut. So I do love a long oner.

But, you know, I come from Bollywood movies, so we have a lot of choreography — choreography for dance sequences where stories are also moving forward. Like, between your exchange of expression, or something’s happening somewhere else, you come back. So I treat fight sequences like dancing. You learn the choreography, but that doesn’t stop your face from telling the story.

JOE ROGAN: Right, that makes sense.

PRIYANKA CHOPRA JONAS: Yeah.

JOE ROGAN: And it is kind of — it’s just choreography. Whether it’s choreography with dance or choreography with movements with your hands and swords.

PRIYANKA CHOPRA JONAS: I had never worked with blades before this movie, though. That was cool.

Training and Preparation

JOE ROGAN: How much training did you have to do when you found out you were going to take the role? How much preparation did you have to do physically to get ready for all that stuff?

PRIYANKA CHOPRA JONAS: It was a cool year for me because I was filming three jobs which were all action and stunts. This movie called Heads of State, which I did for Amazon again, and then Citadel. So it was a year of three action-packed jobs. Being agile and being in it was already part of what I was doing because that’s what I was filming every day.

But the swords training was tough, and being ambidextrous with it as well. My stunt coordinator, who was doing all three movies with me — in between shots, she and I would just take our rubber swords out and do choreography and rehearsals. But it took at least three or four months of just staying in it and loose with it. Also because Karl Urban, my co-actor, had casually learned how to do sword fights in The Lord of the Rings.

JOE ROGAN: Right.

PRIYANKA CHOPRA JONAS: So he was amazing at it. In that last duel, I didn’t want to read as any less.