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Home » The Moral of the Story With JBP: There’s No Such Thing as a Dragon (Transcript)

The Moral of the Story With JBP: There’s No Such Thing as a Dragon (Transcript)

Read the full transcript of Dr. Jordan B. Peterson’s psychological and cultural analysis of “There’s No Such Thing as a Dragon” by Jack Kent, drawing connections to ancient Egyptian mythology, the Exodus narrative, and the crucifixion of Christ. This episode was filmed on June 28th, 2025.

Introduction to Children’s Story Analysis

DR. JORDAN B. PETERSON: So recently, I recorded some analysis of children’s stories once again. I had done this years ago with Pinocchio and The Lion King. That was part and parcel of the lectures that I did at Harvard and at the University of Toronto.

More recently, I recorded an analysis of Snow White, the Grimm’s brother version, and also of Hansel and Gretel. I’m going to continue that today with a more recent book, a much more recent book called “There’s No Such Thing as a Dragon,” The Story and Pictures by Jack Kent.

I used to read this to my Maps of Meaning class often as the first lecture because it touches on themes that are very relevant to a narrative understanding of the world. A description of the structure through which we see the world is a story. And the motifs in stories represent cardinal elements of all of the environments that we encounter. And I’ll try to make that clear today in the discussion of “There’s No Such Thing as a Dragon.”

The Dragon as Archetypal Symbol

I want to show you a dragon that I have in my office here. This is a sculpture from Mexico, which I got several years ago. It’s a circle, basically, and it has the head of a bird, kind of a monstrous bird, and it has wings like a dragon or like a bird, and it has a snake wrapped around the bird’s neck, but it’s an analog of a dragon.

There’s a book that I found very useful in my analysis of such things called “An Instinct for Dragons” by a man named David E. Jones. And David Jones offers, essentially an evolutionary explanation for the concept of dragon. He described a dragon as a tree, cat, snake, bird—like an amalgam of the features of tree, cat, snake, bird.

And those and, of course, there’s the element of fire as well. And so those are all elements of predator, you might say, the kind of predators that have been preying on us or our evolutionary ancestors for millions of years. We had tree dwelling ancestors sixty million years ago. And so the dragon is an amalgam of the motifs of predator. That’s a good way of thinking about it or of danger.

And the dragon battle is a narrative condensation of the drama of human beings. The fact that we have to encounter the terrible predatory unknown and to try to gather what’s valuable that’s hidden in it and to transform ourselves in that pursuit and to make our way forward as heroes. And part of that is the ability to pay attention, to careful attention to the things that we might want to put aside and avoid. And that’s what this little story is about.

The Story Begins: Billy’s Discovery

“Billy Bixby was rather surprised when he woke up one morning and found a dragon in his room. It was a small dragon about the size of a kitten.”

Well, so let’s delve into the idea of dragon again. So the book’s title is “There’s No Such Thing as a Dragon.” And whether or not something is real depends to some degree on your level of analysis. So, obviously, bears are real and lions are real and Komodo dragons are real and crocodiles are real and fire is real.

Is an amalgam of all those things real? Well, it’s real in the way that an abstraction is real. It’s real in the way that the word predator or danger is real. Right? Because there’s many diverse phenomena that are aggregated together in the notion—the conceptual notion of, say, predator or danger—but that has very little to do with the reality of the concept.

Dragon is as real as predator. Let’s put it that way. Now the dragon concept is broader than mere predator because the dragon really stands for everything that lurks in the unknown as such. And everything would be the danger that’s part and parcel of the unknown, which is the place that the predators aggregate, let’s say, but also the promise. So out in the unknown, which is the land of dragons, there are terrible dangers and great benefit.

Hence, the treasure that’s associated with the dragon. And the dragon contact story—the dragon fight story—is really among the oldest narratives that we possess. So it’s an ancient motif, and it makes itself manifest in all sorts of stories.

The Hero’s Initial Response

“Billy Bixby was rather surprised when he woke up one morning and found a dragon in his room. It was a small dragon about the size of a kitten.”

So why is that relevant? Well, Billy wakes up and there’s something that’s different about his environment. And the difference makes itself manifest as something that’s tiny to begin with. Right? And he’s attending to it.

“The dragon wagged its tail happily when Billy patted its head.”

So there’s a moral already in the story there, which is that this little boy wakes up and something unexpected occurs, and it’s in principle, he could pretend it wasn’t there or he could be afraid, but he interacts with it voluntarily. And in consequence, this dragon is pleased.

The Authority’s Denial

“Billy went downstairs to tell his mother. ‘There’s no such thing as a dragon,’ said Billy’s mother. And she said it like she meant it.”

Okay. So Billy’s awake, and so he’s playing the role of hero, and he’s detected something anomalous and different. And he, in his juvenile heroic manner, has decided to interact with it voluntarily, and that’s already tamed it to some degree. And now he brings it to the attention of the authorities. And the authorities essentially have already decided how the world is constituted, and their verdict is that there’s no such thing as a dragon.

And Billy’s mother is insistent upon this.

“Billy went back to his room and began to dress.