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Home » Transcript: Lecture 1 – Introduction to China’s History w/ Tristan G. Brown

Transcript: Lecture 1 – Introduction to China’s History w/ Tristan G. Brown

Editor’s Notes: This presentation features the introductory lecture for MIT’s “Dynastic China” course, providing a broad overview of Chinese history and the structure of the upcoming semester. The instructor highlights the enduring relevance of China’s past, using modern cultural phenomena like the video game Black Myth: Wukong to connect ancient legends to the present day. This session concludes by outlining class goals, grading rubrics, and the importance of understanding China’s geography—from the spicy culinary traditions of Sichuan to the historical significance of the Grand Canal. (April 8, 2026)

TRANSCRIPT:

Introduction: Sun Wukong and the New Video Game

TRISTAN G. BROWN: This isn’t really the official start of class but I just thought I wanted to start with this new big game that just dropped and it’s like making waves I guess in video game communities across the world. In this game, if you haven’t heard of it that’s totally fine, the main character is Sun Wukong and the game is based loosely on this great Chinese novel of the sixteenth century Journey to the West. And the thing is, so have you heard of the Monkey King or Sun Wukong? Some of you have heard of him, some of you may have not have heard of him, that’s okay. He’s like a real iconic figure in Chinese culture, you could say literature.

He’s not a historical character, although the Journey to the West is a historical journey taken during the Tang dynasty to India to retrieve Buddha Sutras and all of that. But starting in the southern Song dynasty, don’t worry, you’ll know all of these dynasties pretty soon. We cover all of them this semester. Starting in about, I’d say, the eleventh century, this figure of a monkey as kind of the company of this main character came to the foreground and his character evolved over the centuries and I think one of the reasons why he’s so beloved in China is he’s like this fearless person. He laughs in the face of danger because he’s like a monkey.

It makes him very beloved. It makes him sort of very interesting. He’s also kind of a force of chaos in a sense. He literally makes a mess of heaven even. He gets in trouble with the Jade Emperor, all of these really great stories, but in that sort of his causing chaos where he goes, he forces truth to come to the surface.

He’s got the power to see evil where evil is sort of latently present. So you can see here, I just thought I’d say a few words about him. There’s a big debate in Chinese history about where Monkey comes from, where the character of Sun Wukong comes from. Hu Shih, the great early twentieth century intellectual, you don’t have to know him exactly but he’s a big name, he actually envisioned that Monkey may have come from the Ramayana, the character of Hanuman, the sort of protector of King Rama. There is a serious theory that that is actually the origin of his character.

Lu Xun disagreed with that theory actually. The other big twentieth century great writer of Chinese history had another theory.

Sun Wukong Across Art, Culture, and Generations

TRISTAN G. BROWN: You can see over the centuries this is from a very early edition of the novel. This is from the Summer Palace in Beijing, right? Literally depictions from the novel like suffused big artistic scenes in late imperial China. This is from a temple in Vietnam, and you can see here this is Monkey in shrines, so he enters popular religion and of course big opera, opera performances of Journey to the West, the character of Monkey and all of that. So I thought that I would just say, just really if you’ve been thinking about this video game or you want to go check out this video game at the beginning here, he’s been beloved across generations.

Every era sort of re-envisions him. This is Princess Iron Fan, this is a story from Journey to the West, incredible. This is China’s first animated film, 1941, made in Shanghai during World War II and it’s kind of like Monkey at that time — you think about the war of resistance against Japan, right, all of the symbolism with that. Somebody mentioned that they saw the 1986 Journey to the West. This is a big TV series.

You can get it all on YouTube for free, really fun. This actor who plays Monkey is really incredible. He comes from an operatic tradition. He really carries that forth. Late editions of Monkey, recent editions of Monkey have kind of shown him to be hyper masculine and muscular and everything like that.

It’s actually not necessarily how he’s been portrayed historically but again it tells us something about how his character evolves over time.

Dynastic China: An Introduction

TRISTAN G. BROWN: Alright, that is the sort of prelude. Now let’s actually get into dynastic China. This is probably how you thought I would begin the class which makes total sense, right? Forbidden City, some of you went to Beijing this summer, some of you have been to Beijing I’m sure.

The tragedy with the Forbidden City is once you see this palace you can’t go visit any other palace. They all just look so silly in comparison to this. Versailles, I mean forget about it, it looks like a house. I mean seriously, this is the largest palace structure in the world. I visited probably 5 times over my lifetime and every time it’s different.

When you go in the summer there’s not a lot of shade. You get killed by the sun and the crowds. I went with an academic delegation this summer so we went to all these like secret places and that was really really fun. This is a place you absolutely have to visit. There’s so much of Chinese history in this palace in the center of Beijing.

And I’ll just say actually one funny thing about it is this palace was so nice that when the Manchus invaded China in the seventeenth century, they said, “We’ll keep the palace.” They moved right in.