Embrace Your Raw, Strange Magic: Casey Gerald (Full Transcript)

Casey Gerald

[Warning: This talk contains mature content]

Casey Gerald – TED Talk TRANSCRIPT

My mother called this summer to stage an intervention. She’d come across a few snippets of my memoir, which wasn’t even out yet, and she was concerned.

It wasn’t the sex. It was the language that disturbed her.

For example: “I have been so many things along my curious journey: a poor boy, a nigger, a Yale man, a Harvard man, a faggot, a Christian, a crack baby, alleged, the spawn of Satan, the Second Coming, Casey.” That’s just page six. So you may understand my mother’s worry.

But she wanted only to make one small change. So she called, and she began, “Hey, you are a man. You’re not a faggot, you’re not a punk, and let me tell you the difference. You are prominent. You are intelligent. You dress well. You know how to speak. People like you. You don’t walk around doing your hand like a punk. You’re not a vagabond on the street. You are an upstanding person who just happens to be gay. Don’t put yourself over there when you are over here.”

She thought she’d done me a favor, and in a way, she had. Her call clarified what I am trying to do with my life and in my work as a writer, which is to send one simple message: the way we’re taught to live has got to change. I learned this the hard way.

I was born not on the wrong side of the tracks, but on the wrong side of a whole river, the Trinity, down in Oak Cliff, Texas. I was raised there in part by my grandmother who worked as a domestic, and by my sister, who adopted me a few years after our mother, who struggled with mental illness, disappeared.

And it was that disappearance, that began when I was 13 and lasted for five years, that shaped the person I became, the person I later had to unbecome.

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Before she left, my mother had been my human hiding place. She was the only other person who seemed as strange as me, beautifully strange, some mix of Blanche DuBois from “A Streetcar Named Desire” and a 1980s Whitney Houston.

I’m not saying she was perfect, just that I sure benefited from her imperfections. And maybe that’s what magic is, after all: a useful mistake.

So when she began to disappear for days at a time, I turned to some magic of my own. It struck me, as from above, that I could conjure up my mother just by walking perfectly from my elementary school at the top of a steep hill all the way down to my grandmother’s house, placing one foot, and one foot only, in each sidewalk square.

I couldn’t let any part of any foot touch the line between the square, I couldn’t skip a square, all the way to the last square at the last blade of grass that separated our lawn from our driveway.

And I bullshit you not, it worked — just once though. But if my perfect walk could not bring my mother back, I found that this approach had other uses. I found that everyone else in charge around me loved nothing more than perfection, obedience, submission. Or at least if I submitted, they wouldn’t bother me too much.

So I took a bargain that I’d later see in a prison, a Stasi prison in Berlin, on a sign that read, “He who adapts can live tolerably.” It was a bargain that helped ensure I had a place to stay and food to eat; a bargain that won me praise of teachers and kin, strangers; a bargain that paid off big time, it seemed, when one day at 17, a man from Yale showed up at my high school to recruit me for Yale’s football team.

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