Skip to content
Home » The Devil and Karl Marx: Dr. Paul Kengor (Full Transcript) 

The Devil and Karl Marx: Dr. Paul Kengor (Full Transcript) 

Here is the full transcript of The Dr. Jordan B. Peterson Podcast episode titled “The Devil and Karl Marx” with author, historian, and professor of political science, Dr. Paul Kengor. This episode was recorded on June 7th, 2024.

Listen to the audio version here:

TRANSCRIPT:

DR. JORDAN B. PETERSON: Hi, everybody. I have the privilege of speaking with Paul Kengor today. He’s written a book, many books. One of them is, for example, “The Crusader: Ronald Reagan and the Fall of Communism.” This is going to be made into a movie. I just interviewed the lead actor for that movie a couple of weeks ago, Dennis Quaid. And so that will be releasing — a movie will be releasing at the end of August.

Paul is also the editor of “The American Spectator.” And this month’s version has a list of the best conservative colleges in the United States. And so that could be a very helpful list for those of you who are thinking about going to college or who have children who are thinking about going to college. So that’s “The American Spectator.”

The Devil and Karl Marx

And so, but what we’re concentrating on today is actually a different book, “The Devil and Karl Marx.” I really like this book, not least because it delves into Karl Marx’s work as a poet and a playwright. And it sheds light, I think, on the underlying structure of his motivation for the so-called economic theories that he developed later.

And so we discuss the Mephistophelean nature of the fantasies, the poetic fantasies that Karl Marx developed as a young man and how that ethos, that Faustian ethos, what would you say, shaped and crafted the murderous doctrine that he developed as a polemicist and a so-called economist. So join us for that.

The Importance of Marx’s Early Writings

DR. JORDAN B. PETERSON: So welcome, Paul. I just read your book, “The Devil and Karl Marx” recently. And there is — a lot of it was striking to me for a couple of reasons. I suppose reasons that are more idiosyncratic to me, there are many reasons that it’s of general interest.

But so the first one was, one of the things I noticed about my students, especially the ones that were really searching, is that if I gave them free rein to write an essay, they’d often either include or want to show me a poem that was relevant to that pursuit. And then my first book, “Maps of Meaning,” actually started as about a 40 page poem.

DR. PAUL KENGOR: Wow.

DR. JORDAN B. PETERSON: Well, and so I studied Jung’s analysis of creative thought a lot. And Jung had this notion, which I think is right, that when we first investigate something that we don’t understand, we fantasize about it, right? Which in some ways seems so obvious that it hardly needs to be said, but it does need to be said because you fantasize about it, or you dream about it, or you daydream about it.

And what you’re doing is you’re using what you already have a grip on to get a new grip on this indeterminate object, and that’s fantasy. And so you have, it’s like you have the dream, and then you have the drama, and then you have the dream. And then you have something like the poem, because the poem is where the dream meets the verbal. And then you can differentiate that further, so it becomes more and more semantic and more explicit.

Now, this is a long way of asking you this question. One of the things you took pains to do in this book was to concentrate on some of Marx’s work before he was an economist, because he wrote drama and he wrote poetry. And so, and your claim in the book is that, well, we should really be paying attention to some of that early work because it does something like set the frame and sheds light on his motivation. And it also sheds light on the story that he was imagining or acting out. So can you make some comments about that?

Marx’s Secret Love of Poetry

DR. PAUL KENGOR: Yeah. So this is quite fascinating. I think you should write the next foreword. The foreword for this one is written by Michael Knowles, a great colleague of yours at Daily Wire.

DR. JORDAN B. PETERSON: Yeah.

DR. PAUL KENGOR: Yeah. So Marx fancied himself a poet. I mean, Marx’s secret love was poetry. In fact, one of his, I think, is the most important biographer. And this guy has been kind of following — people who don’t know about him today.

No one had anything against him really, but his name was Robert Payne. So he was a British academic, man of letters, the arts, a translator, drama. I mean, he was no right winger. He was probably slightly left of center.

He did a couple, did several works on Marx, late sixties, late sixties, early 1970s, published by New York University Press, Simon & Schuster. So, you know, very credible. And he was really the first one to mine Marx’s poetry, to go through and figure it out.

DR. JORDAN B. PETERSON: How much of it is there? How much poetry?

Marx’s Disturbing Poetry

DR. PAUL KENGOR: Well, there’s quite a bit and it’s deeply disturbing stuff, all right. A lot of it is about the devil, quite literally about the devil. It’s chilling, right? “Thus, heaven, I forfeit it. I know it full well. My heart, once true to God, is chosen for hell.”

DR. JORDAN B. PETERSON: Right. Right. Straight Lucifer from Milton.

DR. PAUL KENGOR: Yeah. Yeah. 1837, that one was. It was one of his first published writings. He would have only been 19 years old at that time. Another one. So it’s called “The Player” and it was 1841. And here he puts himself, it appears, in the form of this kind of mad violinist who’s like frenetically, maniacally sawing away at the violin and he’s summoning up the powers of darkness and he’s doing this in front of his love interests.

DR.