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Home » Transcript: I’ve Got No Problem With Communism: Hasan Piker on TRIGGERnometry Podcast

Transcript: I’ve Got No Problem With Communism: Hasan Piker on TRIGGERnometry Podcast

Here is the full transcript of Turkish-American Twitch streamer Hasan Piker’s interview on TRIGGERnometry Podcast with hosts Konstantin Kisin and Francis Foster, November 24, 2025.

Welcome and Introduction

KONSTANTIN KISIN: Welcome to TRIGGERnometry.

HASAN PIKER: Nice to be here, guys.

KONSTANTIN KISIN: Why the big sigh?

HASAN PIKER: We will see. We’ll see how this goes. Yeah, I’m getting cooked right now for those of you at home watching. And this has got to be extra weird for you guys because you’re British and this is what the sun looks like normally.

KONSTANTIN KISIN: Yeah, no, it’s nice to know we are enjoying it. I’m sorry about the sun. This is not deliberate. We’re not trying to cook you literally, but welcome to the show.

Tell us a little bit about you. You’ve obviously got a massive Twitch channel. You’re very successful streaming. Twitch is a gaming platform, but you talk on there and that’s what people follow you for. How did you get there? What’s been your journey through life?

Starting at The Young Turks

HASAN PIKER: I started my professional media career, I guess as a nepotism recipient at my uncle’s 26 person YouTube startup media network. I feel like calling it a media network is interesting because at that time, at that point it was smaller than a mid tier podcast. But I started there because I just wanted to not live in New Jersey. I wanted to live in LA and that’s where The Young Turks headquarters were.

And I, much like virtually all of my peers, came out of college with double major great marks and no job prospects whatsoever. So I was like, all right, I’ll just start off my journey here and it’ll allow me to not be in, it’ll allow me to be in LA where I want to be, right?

And slowly but surely I work my way through the ranks there, offering a lot of free work just as a fill in producer or fill in guest host whenever someone didn’t show up, they were sick or something. While I was actually doing the advertisement stuff on the back end, I was basically the singular advertisement operations person. Not only was I creating client list, but doing cold calls, trying to get doctor campaigns going for The Young Turks and fill the inventory of The Young Turks with some brand names that I think everyone is now familiar with, like Squarespace and things of that nature. That was a big client of mine initially.

But I hated it and I thought, I think I could do better if I were on an on camera position. And so, but the problem was I was horrible on camera at first and I just kept going through it. My girlfriend at the time was a model trying to become an actress. She was like, one of us has to actually work. And she was like, you should keep doing the advertising stuff to make money so that I can be a model and actress, whatever. And I was like, okay.

And even a bunch of my friends were like, maybe you should stop doing this on camera stuff. You’re not very good at it. And I was like, no, I’m going to keep going. I’m going to keep doing it because eventually I’ll get better at it. And I guess over the years I did get somewhat better at it.

The Breakdown and Facebook Success

But while I was at The Young Turks, I was doing all this stuff. I set up the show called “The Breakdown.” It was very successful because it aligned perfectly with the Facebook algorithm, turning on the faucet for video content. This was when everyone was doing the pivot to video, BuzzFeed and all these other places. There’s a company called Upworthy. I don’t know if you guys recall, way back in the day, they were getting tens of millions of views a week and my videos were getting like 30 million views a week.

I was contesting Tomi Lahren’s right wing commentary at the time. And that was when I first made a name for myself, I guess as a leftist political commentator. But I wanted something more. I wanted something that I could call my own. I wanted a sense of community for myself. I didn’t want to be under the umbrella of The Young Turks as much as I was.

Transitioning to Twitch

So I thought to myself, I play video games already when I’m not working. Might as well go to this platform called Twitch. It was a video gaming platform at the time, even though there was some commentary happening there as well. And I decided I’m just going to strap on a PlayStation camera onto my PlayStation 4 at the time and start live broadcasting. And while I play Fortnite and I have a bunch of other friends who are journalists, activists, organizers and whatnot that I play Fortnite with anyway, so we’ll just talk about political issues while I do this.

Now, there’s a couple different reasons why I did that. Like I said, one, because I wanted to have something of my own, immediate property of my own. The other reason was because I recognized that the gaming side of things, the gaming culture side of that space, was heavily dominated by right wing commentary, whereas gamers were much more diverse in their opinion, myself included. And I wanted to present an alternative.

I also wanted to go against the grain because at the time, this is, we’re talking 2016, 2017, at the peak of woke SJW cartoonish depictions of what the left represented. And there was some validity to the arguments that are being presented. Obviously it was the most maximalist, most ridiculous depiction of the left. But some people would lean into that a little bit where they were like, no, we are like this. We are joy killers. We are woke scolds.

And I was like, I don’t think you have to be that.