Here is the full transcript of Austin Kleon’s TEDx Talk: Steal Like An Artist at TEDxKC.
Listen to the MP3 Audio here: Steal Like An Artist by Austin Kleon at TEDxKC
So there is a story about the composer Igor Stravinsky.
Stravinsky was about to start a new ballet. But instead of starting completely from scratch, he pulled out some of his favorite classic manuscripts, and he got out his red pen, and he started correcting the scores as if it was his own music. And he borrowed baselines and melodies from the famous works, but he composed his own harmonies and rhythms underneath that work.
And when the ballet came out, critics were outraged. They said, “How dare you do this to the classics? Leave the classics alone.”
Anybody knows Stravinsky’s reply? He said, “You ‘respect’, but I love.”
Well, I love newspapers. I grew up with newspapers. My parents subscribed to two different newspapers. My father in law and my uncles are both reporters, and I’ve been reading newspapers my whole life.
The trouble with newspapers is that they’re ephemeral. They don’t last. When we’re done reading them, they stack up in the recycle bin.
Despite all that, I don’t know anyone who hasn’t clipped something out of the newspaper. Our impulse is to save the things that mean something to us from oblivion. I think the human beings are collectors and artists especially. Not hoarders, mind you, there’s a difference. Hoarders collect indiscriminately, and artists collect selectively. They only collect the things that they really love.
An artist’s job is to collect ideas and the best way I know to collect ideas is to read. And what better thing to read than a daily dispatch of human experience that is the daily newspaper.
So, in 2005, I was right out of college, right out of undergrad, and I had a horrible case of writer’s block. I would sit, I would stare at the Microsoft Word screen, and that little cursor would blink at me as if it were taunting me.
And writing, which is once given me great joy, it was now — it wasn’t any fun for me anymore. So one day, I was staring at that screen and I looked over at the recycle bin with that stack full of papers, and I thought, “Here am I. Here I am, without any words. And right next to me are thousands of them, and they’re delivered to my doorstep everyday.”
So I thought I might steal a few, and this is what I did. I picked up my marker that I used for drawing, and I started making boxes around words that popped out at me. And I start connecting those words into little phrases and funny sayings.
And when I was done, I blacked out all the words I didn’t need. And this is what it looks like. It looks like as if the CIA did haiku. And I really wasn’t sure what I was doing. All I knew was that it felt really good to watch some of those words disappear under that marker line.
And so what I did was I started posting them to my blog and I called them newspaper blackout poems. And slowly over time, they spread around the Internet and I collected them in my first book Newspaper Blackout.
Now, I thought I was ripping off the Government. That’s John Lennon’s FBI file on the left and the blackout poem on the right.
But over time I started getting all kinds of emails and tweets and other comments that my work was completely unoriginal. And the artist that people pointed to the most was this brilliant British artist named Tom Phillips. Back in the ‘60s Tom Phillips walked into a bookstore, and he picked up the first Victorian novel he found. And he went home, and he started drawing and painting of the pages. And if you can see, he left words, much like I do, he left words floating in his art pieces. And he’s done this for 40 years. His project is called “A Humument”. And you could look it up — it’s been a lifelong project for him.
And what I discovered about Tom Phillips is that he actually got the idea for his 40-year project by reading a Paris Review interview with the writer William Burroughs, when Burroughs was talking about his cut-up method of writing, which is when you take a piece of writing, cut it up and reconfigure the pieces to make a new piece of writing.
Funny enough, when I started researching Burroughs, I found out that Burroughs got the idea for the cut-out technique from his friend Brion Gysin. Brion Gysin – he was a painter at the time. And he was preparing a canvas and when he was cutting the canvas, he cut through a stack of newspapers and the way the newspaper strips floated and the words worked together, gave him an idea of how to make poetry.
But then, you do a little bit more research and you find out that 30 years before that, there was a poet named Tristan Tzara who in Paris, went onstage, got a hat, got a newspaper, cut up the newspaper, put the pieces in the hat, pulled them out one by one and read them as a poem.
I traced things all the way back to the 1760s where neighbor of Benjamin Franklin named Caleb Whitford — in those old days, the newspaper was fairly new and the columns were very skinny. So what Caleb did is he read across the columns instead of reading them top to bottom. And he would get all these funny combinations and he’d crack up his friends in the pub. And eventually he published a broadsheet of them.