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Home » How to Be Ambitious Without Being a Jerk w/ David Brooks (Transcript) 

How to Be Ambitious Without Being a Jerk w/ David Brooks (Transcript) 

Read the full transcript of political and cultural commentator David Brooks’ lecture at Yale University, March 31, 2026.

Editor’s Notes: In this insightful Yale University lecture, renowned author and social critic David Brooks explores how individuals can cultivate a life of deep drive and consequence without succumbing to selfish behaviors. He introduces the concept of “the gleam”—an inner fervor and yearning to make a meaningful gift out of life—and examines how modern societal forces like hyper-calculation and technological sloth can squash this vital passion. Drawing on the personal journeys of iconic figures ranging from Alexander Hamilton to Tina Turner, Brooks contrasts external ambition with internal aspiration, urging listeners to orient themselves around eternal virtues and deep purpose. Ultimately, the talk serves as a compelling guide on how to discover the ruling passion of your soul and achieve lifelong personal growth.  

TRANSCRIPT:

Introduction

DAVID BROOKS: Good to be back here. I’m going to give this talk on how to be ambitious without being a jerk. The students here don’t need this talk — if you were a jerk you’d be at Harvard.

The Youth of the Year Contest

Several years ago, about 15 years ago, I was asked to be a judge by the Boys and Girls Clubs of America. They have a contest every year called Youth of the Year. And the Youth of the Year program honors a young person who exemplifies what the Boys and Girls Clubs can do for young people.

So when I came along, us judges, we just interviewed the finalists and there are a whole series of terrifically impressive young people whose lives have been changed by the Boys and Girls Club. And the one woman who we ended up giving the prize to, she described her childhood and it was rough. She’d suffered abuse and violence and trauma and she wept while talking about it. And we didn’t know if we could give her the prize because the job is to really tell your story over and over again and we didn’t want to re-traumatize her.

But then we decided it’s not up to us to stop her. If she wants to do this and she thinks she can handle it, then we should do it.

The Gleam in the Eye

But then there was a moment in the interview after the really hard parts where we asked her about her future, and it was as if we were bathed in light. A smile came across her face and it was one of those smiles that wasn’t only in her mouth, it was in her whole body. She started talking about what she wanted to do and she didn’t have clear plans, but she knew she wanted it to be important. And she kept talking about this dream and that dream and that dream, and she kept getting swept up in her own enthusiasm.

And I could see her looking out at us and I saw something I’ve seen a thousand times, which was the gleam in the eye. And when some young people talk about their future, they just radiate this gleam. I’ve seen it on Yale kids, for whom the world is a candy store — they’ve got so many opportunities here. I’ve seen it on poor kids who have a sense of direction and they don’t know what they’re going to do, but they know they’re going to get the hell out of here.

And it’s that fervor — the gleam is sort of an inner enthusiasm, a yearning to make a gift out of this gift of life’s existence. And it’s a kind of ambition, it’s a kind of anticipation, it’s a kind of fervent desire to lead a life of consequence. And whenever I see it, I always admire the boldness of it.

The Boldness of Ambition

And it reminds me of a story I once read about a little girl who’s in elementary school and she’s drawing a picture and the teacher asks her, “Well, what are you drawing?” And the little girl says, “Well, I’m drawing a picture of God.” And the teacher says, “Well, nobody knows what God looks like.” And the little girl says, “Well, they will in a minute.” It’s that kind of confidence.

I read a great memoir by Viola Davis, the actress, and she also had a rough childhood. And she was in high school and she went to theater class and the drama teacher said, “How many of you would like to be actors or actresses?” And every hand went up. And then the teacher starts describing the life of the actor — auditions, failure, isolation, rejection, a lot of waiting tables — and hands start going down. And within a few minutes, every hand in the classroom is down except for Viola Davis’s. And she describes the scene in her memoir: “I kept my hand up staring at it.”

When you haven’t had enough to eat, when your electricity and heat are cut off, you are not afraid when somebody says life is going to be hard. The fear factor was minimized in me. I already knew fear. My dreams were bigger than the fear. That’s an example of the glee.

I once saw a speech given in New York by Lady Gaga and she described her childhood. And she said in that speech, “I suppose that I didn’t know what I would become, but I always wanted to be extremely brave and a constant reminder to the universe of what passion looks like, what it sounds like, what it feels like.” And you can just picture little Lady Gaga as a girl wheeling herself forward.

The Gleam in Music and Culture

I’m a fan of Alexander Hamilton. And Hamilton, as you know, is a Puerto Rican hip-hop star from northern Manhattan. If you look at that musical, it’s the gleam in musical form for two and a half hours. If you think about those songs, “I’m not going to throw away my shot.” “In the room where it happens.” “I’m just like my country, young, scrappy, and hungry.” “Just you wait.

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