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Home » UBC Lind Initiative 2026: Rachel Maddow (Transcript)

UBC Lind Initiative 2026: Rachel Maddow (Transcript)

Read the full transcript of journalist Rachel Maddow’s keynote lecture at UBC Phil Lind Initiative, as part of #LIND26 series “America First, America Alone? Global Politics in an Age of Uncertainty.”

Editor’s Note: In this compelling keynote lecture for the UBC Phil Lind Initiative, renowned journalist Rachel Maddow explores the current state of American democracy and the vital importance of historical perspective during times of political instability. Drawing from her extensive experience covering complex political developments, she highlights the quiet but significant efforts of citizens across the United States who are documenting and preserving history in the face of widespread attempts at erasure. Through these anecdotes, Maddow argues that such grassroots resistance offers a crucial glimmer of hope, demonstrating that the American public remains “ungovernable” by those seeking to undermine democratic institutions. (March 9, 2026)

Rachel Maddow’s Opening Remarks

RACHEL MADDOW: Wow, what a beautiful hall. This is stunning. Do you guys come here for all sorts of stuff? This is amazing. I don’t understand how anybody comes to Vancouver and then leaves.

I also feel like if I moved here, I’d live forever. Everybody’s so healthy and friendly and the food is fantastic, and I just — don’t tell Massachusetts I said this. I’m just super happy to be here. I’m really, really nervous to see all your faces. So thank you.

What I’m going to do is I’m going to talk a little bit, and then a very fancy professor is going to talk to me. I’m also nervous in a different way about talking to her. And then she’s going to field some of your questions, and I’m just really happy to be here and honored. All right. And honored. All right.

The Smithsonian: A Story of Preservation

RACHEL MADDOW: In 1846 — you knew I was going to start with something like that, right? In 1846, a man named James Smithson made a bequest to the United States. He was not American, he was English. And in 1846, the United States was only 70 years old as a country, and James Smithson had never been to the United States. Nobody quite knew why this rich man’s son from England had decided to give all of his money, his entire estate, to a country he had never been to. Still today, nobody knows why he did it, nobody knows what he was thinking.

But it was a lot of money. It was a half million dollars at a time when the whole budget of the United States was only about $30 million. It was a boatload. And upon learning of this giant, inexplicable bequest from this man, James Smithson, the totally feckless US government at the time basically froze. They dithered for almost a decade before they figured out how to accept the bequest and make use of it.

They did finally figure it out. Congress used that bequest to create the Smithsonian Institution. And the Smithsonian has been around since then for 180 years. It is known mostly for its quite good museums in Washington. They’re alright.

But it’s actually more than that and bigger. Technically, the Smithsonian is now the world’s largest museum education and research complex. It’s 21 museums, nine research facilities, and also, oddly, the National Zoo. I have not been to the National Zoo. I’m sort of more of a bait shop person than a zoo person. But as zoos go, I hear that it’s quite nice. So if you’re into zoos, you should go.

I mean, not now. Obviously. No American in good conscience can advise anybody outside the United States to go to the United States right now. It pains me to say, but we all know exactly what the reasons are. I have to tell you though, when we do get through this, when we do come out the other side of this psychotic self-immolation that my country is in the middle of right now, maybe put the National Zoo on your list. Go see our alpacas, our Allen’s swamp monkeys, and our shy, shy golden plovers. I’m assuming they’ll still be there. We won’t have had to eat them. I don’t think we’re heading somewhere that dark, but we’ll see.

Citizen Historians for the Smithsonian

RACHEL MADDOW: Last summer, a grad student and two historians from Georgetown University in Washington formed a group called Citizen Historians for the Smithsonian. And they started recruiting volunteers for a single urgent seven-week-long project. They recruited hundreds of people. It started in the late summer. It was seven weeks only. It was over by the early fall. It was just a blitz.

And what they did, these hundreds of volunteers, is that they went out and they systematically and minutely photographed every inch of the Smithsonian. All publicly viewable information — every piece of art, every installation, every object, every artifact, every piece of preserved ephemera. They took legible photos of every word, every piece of signage, every piece of explanatory text, every caption, every single thing posted on every wall in every room of every building in the Smithsonian, which again, is the largest museum education and research complex in the world. So it was a big undertaking. And don’t forget the zoo.

These volunteers photographed every single animal in the zoo, at least the ones that weren’t too shy to show themselves. And they photographed every piece of explanatory text posted anywhere at the zoo. It took them seven weeks. They didn’t exactly do it in secret, but they did it surreptitiously. They did not announce what they were doing.

And it took hundreds of people, and it ended up being hundreds of thousands of photographs, curated and whittled down to tens of thousands of photographs, which are mapped out, archived, backed up, and preserved. They made a backup. They made a record — essentially a private archive, documented, dated, mapped proof of everything the Smithsonian used to be allowed to say.

The Purging of the Smithsonian

RACHEL MADDOW: After President Trump returned to the White House for his second term last year, the Smithsonian was ordered to remove the placard on the wall next to Trump’s portrait in the National Portrait Gallery.